Un paio d’anni fa avevo letto di un network di teatri con proiettori 2K in Veneto. Vorrei sapere se qualcuno può aggiornarmi, visto che non ho più letto notizie, e sapere se ci sono (teatri) che magari utilizzino i Sony Cinealta 4K SXRD SRX-R220.
Più di 4.000 euro per montare ottiche 16, super 16 (centrate perché manca la banda ottica per l’audio) 35 e super 35 (idem). Prodotto da Victor Company per la serie JVC ProHD 200 che adesso prevede anche una versione a micro-onde.
Supporta anche le camere IMAX (6×7 stereo a trasporto orizzontale) !!
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Nettman non ha alcuna società di servizi in Italia. Magari qualcuno ne fonda una e così la cinematografia italiana smetterà di essere girata al 70% in un appartamento. Con puntate, però – bisogna ammetterlo, anche nel giardino di casa con location tipo “Le Rose Del Deserto”.
Neppure WESCAM e PHOTO-SONICS.
IND.S.T.KIT
Straight Track Kit (12 feet of straight track):
4 sections (each section = 3 feet) of straight track in custom carrying bag. $499.00
IND.C.T.KIT
Curved Track Kit (about 13 feet of curved track):
4 sections of curved track (makes 90 degree segment of 20 ft diameter circle) in custom carrying bag: $599.00
IND.CTD
The NEW! Indie Dolly “Universal Dolly”. Our latest addition, a dolly that works on straight track as well as curved track (without having to add any accessories) is adjustable to any trackwidth and doesn’t require any tools for set up! Includes a seat and a Push-bar : $1099.-
IND.PF
Indie Dolly Accessory Platform. Take a look at the “ACCY.P.F” tab. This Platform enables the operator to also stand on the dolly while it lends extra stability and rigidity to the dolly-structure: $175.-
IND-BAG
(any one of the three available bags for the Indie Dolly System) $125.00
IND-STRPS
Custom Velcro Straps: $3.95 / each
IND-E-PROT.
Track-End Protectors:
1″ rubber stoppers for protecting the track ends $1.50 /each. Set of 16: $16.
Boris Continuum Complete > Film Process Tutorial
By: John Lafauce
This year’s CineGear2007 exhibition in Los Angeles sees the launch of Codex Digital’s new portable digital cinematography recorder. No larger than a toaster, the Codex Portable’s elegant design is packed with ground-breaking features and the industry’s most advanced technology – creating brand new opportunities for single and multi-camera production.
Light, easily-transportable and battery-powered, the Codex Portable contains all the key features of its larger siblings, including dual-channel 4:4:4 and 4K recording, ruggedised removable RAID DiskPacks, an integrated touchscreen controller, 8 channels of digital audio and a Virtual File System.
This new system has been designed to meet industry demand for a compact and rugged field recorder. It complements the original, award-winning Codex HD, 2K, 4K media recorder/server, which has already redefined tapeless digital cinematography and is now being used on major studio productions in the US and Europe.
Using visually-lossless compression, the Codex Portable brings cinema-quality disk-recording to every production where uncompressed recording is not an absolute demand, but total portability is.
